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Carlie Norma Germs


Boorloo (Perth), Western Australia.

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Creating and planning content for the streams was a challange that morphed into an outlet for my contextual and tangental research. This live of questioning was focused around the place of the internet within my practice, as a material, subject, antagonist, platform and archive. These thoughts were framed by Boris Groys writing in E-Flux about the subject, the archive and the place of the artist online, Shoshana Zuboff's analysis and survey of 'Survellance Capitalaisim' and Allan Kaprow's concept of Art-Art, Non-Art and Anti-Art in his essay the Education of the Un-Artist.

4-6/2020





Video References


Derrida and Hauntological definitions courtesy of Amy and Wikipedia.

Boris Groys. 2013. Art Workers: Between Utopia and the Archive. E-flux #45. https://www.e-flux.com/journal/45/60134/art-workers-between-utopia-and-the-archive/

Boris Groys. 2009.Self Design and Aesthetic Responsibility. E-flux #07. https://www.e-flux.com/journal/07/61386/self-design-and-aesthetic-responsibility/

Hito Steyerl, 2013. ‘How Not To Be Seen: A Fucking Didactic Educational MOV File’

Contributed Code and Software;

Julien Gachadoat. 2004. Blob Detection [computer software]. Retrieved from http://www.v3ga.net/processing/BlobDetection

Processing Foundation (Casey Reas, Ben Fry and Daniel Shiffman). 2004. Processing [computer software]. Retrieved from https://processing.org/ Mario Klingemann. Date unknown. Super Fast Blur 1.1 [computer software] Retreived from http://incubator.quasimondo.com

Keyword Rhymes: Howe, D. C. 2015. RiTa [Computer software]. Retrieved from https://rednoise.org/rita

Text to Speech by https://ttsreader.com/.